Tisdale Arts Council

Kellie Loder is a powerhouse performer-an award-winning singer-songwriter whose authenticity, heart, and electrifying energy light up the stage. Blending contemporary Americana with folk-pop, Kellie delivers emotionally rich, high-impact performances that resonate long after the final note. Accompanied by Mark Neary (bass) and Noah Malcolm (keys, backing vocals), Kellie performs as a trio, showcasing songs from their acclaimed album Transitions, including fan favorites "When It Comes to You," "Suit & Tie," and "Honey I’m Scared." Whether on guitar, piano, or vocals, Kellie’s captivating stage presence, powerful storytelling, and infectious charm make every show unforgettable. With heartfelt songs, humorous banter, and undeniable charisma, Kellie will have you laughing, crying, and telling your friends. One thing is clear to anyone who’s seen them live: Kellie Loder is a rare talent on the verge of a global breakthrough.

Savour the tradition of the troubadours, as Ménestrel breathes vivid life into music that has been shaped by centuries. Their voyage through historic repertoire is accented by lute, guitar and the intricate colours of the human voice. With selections ranging from grand compositions by Purcell, Dowland, and Monteverdi to nostalgic Gaelic, Québécois, and English folk melodies, Ménestrel reminds us of the pleasure of these musical forms. The group consists of recognized artists Janelle Lucyk (soprano), Kerry Bursey (tenor, guitar and lute) and Vincent Lauzer (recorder). who have established a reputation for combining ancient repertoire with elements of folk song.

Last Birds’ intimate, one mic performance style blends contemporary folk and traditional country music. Through haunting vocal harmonies and interwoven acoustic guitars, the duo tells stories of small-town experiences and the challenges of prairie life. Mike Davis and Lindsay Arnold draw audiences into a shared experience with their honest lyrics and authentic spousal banter that is satisfyingly bittersweet, often humorous, and always mesmerizing to watch.

In 1991, The Johner Brothers took the Canadian country music audience by storm. Brad and Ken were named "Duo of the Year" by the Canadian Country Music Association, kicking off a string of awards. After being crowned 'Entertainer of the Decade' and releasing a remarkable 26 singles from six hit albums, Ken retired from the music business in 2002. Brad continued with a hugely successful solo career, recording six highly praised albums and awarded "Male Artist of the Year" by the CCMA. After twenty years, the Johner Brothers are back together and looking forward to a busy year playing shows across western Canada. Backed by two of Brad's sons, the show is a fresh version of what Johner fans have come to expect as they are astute professionals and true gentlemen of the stage.

A Canadian folk staple, The Fugitives have been nominated for a JUNO, as well as 7 Canadian Folk Music Awards, including Best Vocal Group, Best Ensemble, and Best Songwriter. They've performed at Glastonbury, were awarded Best Folk Album of the Year by the German Music Critics’ Association, and were named a 2020 Globe & Mail "Top Arts Pick of the Year". They've earned a reputation for unforgettable live shows, brimming with complex harmonies, infectious storytelling and top-notch musicianship. As the CBC has it: "This show is simply brilliant." In 2026-27, they will be touring in support of their seventh album.

The Burden of Street brings together paintings that depict contradictory compositions to provide distinct visual experiences while exploring the complexities of our surrounding built environment. The element of the wall plays a significant role in this body of work as public sites for dwellers to engage with the political and social fabric of society. These paintings aim to explore the dichotomy of walls as both tools of control and platforms for resistance. They delve into how authorities use these walls to impose their ideologies and values upon the people, while also emphasizing the agency of dissidents who transform these spaces into channels of protest and expression. A diverse range of artistic techniques and mediums, including collage, painting, drawing, and graffiti, are used to create satirical and ironic situations that reference the deep dualities, disparities, and hypocrisies inherent in ruling systems. Iranian born visual artist, Mohadese Movahed focuses on painting in her studio practice. She graduated with a Bachelor of painting degree from the University of Science and Culture (USC) in Tehran and an MFA from the University of Regina, SK, Canada in 2020. Currently based in Vancouver, Movahed has exhibited her work nationally, internationally and is a recipient of Elizabeth Greenshields Foundation.The Burden of Street brings together paintings that depict contradictory compositions to provide distinct visual experiences while exploring the complexities of our surrounding built environment. The element of the wall plays a significant role in this body of work as public sites for dwellers to engage with the political and social fabric of society. These paintings aim to explore the dichotomy of walls as both tools of control and platforms for resistance. They delve into how authorities use these walls to impose their ideologies and values upon the people, while also emphasizing the agency of dissidents who transform these spaces into channels of protest and expression. A diverse range of artistic techniques and mediums, including collage, painting, drawing, and graffiti, are used to create satirical and ironic situations that reference the deep dualities, disparities, and hypocrisies inherent in ruling systems. Iranian born visual artist, Mohadese Movahed focuses on painting in her studio practice. She graduated with a Bachelor of painting degree from the University of Science and Culture (USC) in Tehran and an MFA from the University of Regina, SK, Canada in 2020. Currently based in Vancouver, Movahed has exhibited her work nationally, internationally and is a recipient of Elizabeth Greenshields Foundation.

Curated by Melanie Monique Rose Nisto is the Cree word for "three", which holds abundant cultural, religious, and spiritual significance throughout Treaty Territories 4 and 6, Abya Yala 1, and across the world. The braid, made of three strands, carries teachings of the unity of mind, body, and spirit, and connects us to our ancestors and heritage. Artists Cristian Barreno (Maya K’iche’), Maria Rose Sikyea (Yellowknives Dene), and Emma Noyes (Sinixt) are three Indigenous artists rooted both in their homelands and in diaspora, with deep connections to water, sky, and land. Their families lived here long before the names "Canada", the medicine line, borders, or walls existed. Indigenous peoples had lifeways, paths, and relationships sustained through trade, celebration, and war. For example, before Canada declared the Sinixt 2 "extinct" in 1956 and before the creation of the Canada - US border, they freely harvested and hunted on their ancestral homelands. In 2021, their territorial rights were restored, yet they still face obstacles crossing the border to return to their homelands. Despite the enduring challenges of colonialism, these three artists affirm their presence and relationality through their work. They honor, celebrate, and assert that they are here, always have been, and always will be. 1Abya Yala: the entire land mass currently known as North & South America 2Sinixt: descendants of the Arrow Lakes people, West Kootenays

Invisible Winds: Stories You Can Not See, Journeys toward wholeness Curated by Dean Bauche, featuring Mary Anne Baxter, Dani Bauche, Dean Bauche, Leah Marie Dorion, Susan Gordon, Iris Hauser, Holly Hildebrand, Roger Jerome, Robert Jerome, Emily Johnson, Karlie King, Bonny Macnab, Jon Philpott, William Philpott, Paul Trottier, Rebecca Toderian, Lyndon Tootoosis, Carol Wylie, and JingLu Zhao. Invisible Winds is a timely and inspiring exhibition featuring the work of established and emerging artists from across Saskatchewan. It invites us to stop and listen, to see and hear invisible stories carried by so many around us. Accompanied by the thoughts of David A. Robertson, author of 'All the Little Monsters' and winner of the Governor General's Literary Award, this exhibition explores issues such as mental health, grief, and the invisibility of trauma in our lives. It highlights the importance of sharing one's story and the necessity of being seen for one's pain to start healing. Invisible Winds "honors those with Lived Expertise, [it] uses art to speak that experience to others". Rebecca Rackow, Assistant Executive Director Canadian Mental Health Association Saskatchewan Division