La Ronge Arts Council

Tomatoes Tried to Kill Me But Banjos Saved My Life isn’t just a show, it’s a cause. A heartfelt passion project that began as a nudge after Keith Alessi’s life took a major turn, it has been his mission to raise money for causes close to his heart. Through donations, including 100% of all artist fees, the show has raised over $1.2 Million Dollars (CAD) as of December 2025 for various charities including cancer organizations, music programs, community groups and artist funding and development. All Proceeds from the performances at the King’s Head Theatre will benefit the theatres Angels of Angel program which supports creation and production of new theatrical productions. The show has sold out runs across Canada, Off-Broadway in New York City, and at the Edinburgh Fringe Festival in Scotland 3 years in a row. It has toured internationally, including Canada, the US, England, Scotland and Australia. Keith shares his exceptional true story of leaving the world of corporate board rooms behind to follow his long-delayed passion-playing the banjo! When faced with a deadly cancer battle, his musical pursuit took him on a journey that became the key to saving his life. Told through authentic storytelling, heartfelt humor and music, Keith’s story is an uplifting tale of challenge, triumph, and the the healing power of the arts and music.

Kellie Loder is a powerhouse performer-an award-winning singer-songwriter whose authenticity, heart, and electrifying energy light up the stage. Blending contemporary Americana with folk-pop, Kellie delivers emotionally rich, high-impact performances that resonate long after the final note. Accompanied by Mark Neary (bass) and Noah Malcolm (keys, backing vocals), Kellie performs as a trio, showcasing songs from their acclaimed album Transitions, including fan favorites "When It Comes to You," "Suit & Tie," and "Honey I’m Scared." Whether on guitar, piano, or vocals, Kellie’s captivating stage presence, powerful storytelling, and infectious charm make every show unforgettable. With heartfelt songs, humorous banter, and undeniable charisma, Kellie will have you laughing, crying, and telling your friends. One thing is clear to anyone who’s seen them live: Kellie Loder is a rare talent on the verge of a global breakthrough.

2025 - Celebrating 15 years and releasing Brahms, Balkans & Bagels! Oktopus presents Brahms, Balkan & Bagels, a concert that explores the elements of folklore that inspired great classical composers. In a virtuosic, moving, and unique performance, Oktopus brilliantly blends classical and folk music from Eastern Europe. How did Hungarian folk melodies inspire Brahms and Liszt? How does Enescu's native Romania appear in his works? What traces has klezmer music left in Mahler’s great symphonies? A recipient of numerous awards, Oktopus is a prominent figure on the Canadian world music scene, with over 300 performances both nationally and internationally. The group is primarily dedicated to klezmer music and stands out with a fresh approach that incorporates elements of classical and Québécois repertoire, along with some jazz and Balkan accents. The eight virtuosic musicians deliver a show that is as festive and lively as it is melancholic and profound, sprinkled with humor and stories.

In 1991, The Johner Brothers took the Canadian country music audience by storm. Brad and Ken were named "Duo of the Year" by the Canadian Country Music Association, kicking off a string of awards. After being crowned 'Entertainer of the Decade' and releasing a remarkable 26 singles from six hit albums, Ken retired from the music business in 2002. Brad continued with a hugely successful solo career, recording six highly praised albums and awarded "Male Artist of the Year" by the CCMA. After twenty years, the Johner Brothers are back together and looking forward to a busy year playing shows across western Canada. Backed by two of Brad's sons, the show is a fresh version of what Johner fans have come to expect as they are astute professionals and true gentlemen of the stage.

Curated by Melanie Monique Rose Nisto is the Cree word for "three", which holds abundant cultural, religious, and spiritual significance throughout Treaty Territories 4 and 6, Abya Yala 1, and across the world. The braid, made of three strands, carries teachings of the unity of mind, body, and spirit, and connects us to our ancestors and heritage. Artists Cristian Barreno (Maya K’iche’), Maria Rose Sikyea (Yellowknives Dene), and Emma Noyes (Sinixt) are three Indigenous artists rooted both in their homelands and in diaspora, with deep connections to water, sky, and land. Their families lived here long before the names "Canada", the medicine line, borders, or walls existed. Indigenous peoples had lifeways, paths, and relationships sustained through trade, celebration, and war. For example, before Canada declared the Sinixt 2 "extinct" in 1956 and before the creation of the Canada - US border, they freely harvested and hunted on their ancestral homelands. In 2021, their territorial rights were restored, yet they still face obstacles crossing the border to return to their homelands. Despite the enduring challenges of colonialism, these three artists affirm their presence and relationality through their work. They honor, celebrate, and assert that they are here, always have been, and always will be. 1Abya Yala: the entire land mass currently known as North & South America 2Sinixt: descendants of the Arrow Lakes people, West Kootenays

The exhibition Wóknaga1, Nakoda for "He Tells His Own Story"2, features paintings by Métis, Nêhiyawak/Nakoda/Anishinaabe/Scottish artist, Dave Pelletier, of môso-tâpiskan3, now known as Moose Jaw. Working within a Woodland School style, Pelletier honours Indigenous intergenerational transfer of knowledge through storytelling within these canvases, while offering his own imagined narratives that play out through the graphic and colourful compositions of animals and figures of Turtle Island. Inspired by the work of Norval Morriseau, Pelletier’s compositions, of stylized, abstracted forms, bold colours and crisp, black outlines and energy lines, offer narratives that speak to the artist’s own search for traditional knowledge and his journey to place himself and connect with his Indigenous cultures. 1 Pronounced WOKE-nah-gah in Nakoda. 2 Translated by Nakoda speaker, Matthew Spencer, May 12, 2024. 3 Pronounced moh-so-TAHP-skun in nêhiyawak (Cree).

Atim Maskikhiy (‘Dog Medicine’ in Cree) presents works of seventeen artists local to the La Ronge tri-community area in Northern Saskatchewan. The multimedia pieces represent the artists’ interpretations of the dog-human relationship as expressed through preliminary findings of a community-driven research project conducted in the community. This unique marriage of art and science allows knowledge translation to a broader audience than typical of peer-reviewed research. Highlighting the need for improved access to animal health and welfare services in northern, remote and Indigenous communities everywhere, this gallery represents a call to action for systemic change at the human-dog interface. Through their works, the artists confirm that dog-human bonds are highly valued and often critical to human life and well-being in the north, and current approaches to ‘fixing’ dog problems in communities without regular access to care ignore important contributors at the root of the issue. This exhibition is curated by Dr. Jordan Woodsworth, Director, Northern Engagement and Community Outreach, Western College of Veterinary Medicine. The artists featured in this exhibition are: Andrea Cowan, Caron Dubnick, Donna Langhorne, Hilary Johnstone, John Halkett, Larissa Muirhead, Miriam Koerner, Molly Ratt, Myles Charles, Nancy Lafleur, Terri Franks, Sammi Kopeck, Abigail Clarke, Annalisa Heppner, Jade Roberts, Jasmine Grondin, and Wendy Cleveland.Atim Maskikhiy (‘Dog Medicine’ in Cree) presents works of seventeen artists local to the La Ronge tri-community area in Northern Saskatchewan. The multimedia pieces represent the artists’ interpretations of the dog-human relationship as expressed through preliminary findings of a community-driven research project conducted in the community. This unique marriage of art and science allows knowledge translation to a broader audience than typical of peer-reviewed research. Highlighting the need for improved access to animal health and welfare services in northern, remote and Indigenous communities everywhere, this gallery represents a call to action for systemic change at the human-dog interface. Through their works, the artists confirm that dog-human bonds are highly valued and often critical to human life and well-being in the north, and current approaches to ‘fixing’ dog problems in communities without regular access to care ignore important contributors at the root of the issue. This exhibition is curated by Dr. Jordan Woodsworth, Director, Northern Engagement and Community Outreach, Western College of Veterinary Medicine. The artists featured in this exhibition are: Andrea Cowan, Caron Dubnick, Donna Langhorne, Hilary Johnstone, John Halkett, Larissa Muirhead, Miriam Koerner, Molly Ratt, Myles Charles, Nancy Lafleur, Terri Franks, Sammi Kopeck, Abigail Clarke, Annalisa Heppner, Jade Roberts, Jasmine Grondin, and Wendy Cleveland.

Invisible Winds: Stories You Can Not See, Journeys toward wholeness Curated by Dean Bauche, featuring Mary Anne Baxter, Dani Bauche, Dean Bauche, Leah Marie Dorion, Susan Gordon, Iris Hauser, Holly Hildebrand, Roger Jerome, Robert Jerome, Emily Johnson, Karlie King, Bonny Macnab, Jon Philpott, William Philpott, Paul Trottier, Rebecca Toderian, Lyndon Tootoosis, Carol Wylie, and JingLu Zhao. Invisible Winds is a timely and inspiring exhibition featuring the work of established and emerging artists from across Saskatchewan. It invites us to stop and listen, to see and hear invisible stories carried by so many around us. Accompanied by the thoughts of David A. Robertson, author of 'All the Little Monsters' and winner of the Governor General's Literary Award, this exhibition explores issues such as mental health, grief, and the invisibility of trauma in our lives. It highlights the importance of sharing one's story and the necessity of being seen for one's pain to start healing. Invisible Winds "honors those with Lived Expertise, [it] uses art to speak that experience to others". Rebecca Rackow, Assistant Executive Director Canadian Mental Health Association Saskatchewan Division