Events from December 01, 2023

• Arianna Richardson: Surface All The Way Through - Sherven-Smith Art Gallery

  Presented By: Melfort Arts Council
  
  

  

  Surface All The Way Through is an exhibition of textile and text-based signs assembled from discarded plastic using hobby-craft techniques. It is an exploration of superficiality, distraction, reflection, containment, emotional blockages, consumerism, accumulation, and waste.
  The objects in this show are fabricated entirely of plastic: a material that I am endlessly attracted to for its shape-shifting mimicry and limitless supply of exciting surface qualities. As a toxic, uncontainable, and grossly over-produced material, it is also repulsive and surrounds me with dread and despair. It is between opposites that I have created these objects: working to both deflect and deal with my own conflicting attitudes in a time of vast uncertainty, inexpressible emotions, and constant horror.
  All materials in the show were rescued from their fate as discarded objects, collected either from my own personal consumption habits (packaging waste) or from the thrift store (craft supplies, projects, decorations).
• The Flower People: Melanie Monique Rose - John V. Hicks Gallery at the Margo Fournier Arts Centre

  Presented By: Prince Albert Council for the Arts
  
  

  

  The Flower People is a story about me, my family, my people and our connection and relationship to the land, ourselves, and each other. It is derived from the name ‘The Flower Beadwork People’ a name given to the Métis who are well known for their floral beadwork.
  Felted pieces, combined with the use of collected blankets create a canvas for my personal exploration of identity as a contemporary Indigenous Artist, alongside my Ukrainian heritage. My floral imagery invokes stories of people, place, and the land. Personal, cultural, and universal symbolism are woven into the fabric of my work with an emphasis on movement, colour, and narrative.
  The slow, process-orientated execution of felting becomes meditative and at times acts as healing and a prayer to my family and community. My most recent works are personal acts of Indigenous survivance & solidarity.
• ᑌᐸᑯᐦᑊ/Tepakohp/7 : Audie Murray, Larissa Kitchemonia, Donna Langhorne, Stacey Fayant, Marcy Friesen, Brandy Jones, & Melanie Monique Rose - Rusty Relics Museum

  Presented By: Rusty Relics Museum
  
  

  

  ᑌᐸᑯᐦᑊ/Tepakohp/7 is a multi-artist exhibition which celebrates the stories and experiences of the many Nations of Indigenous Women living on this land we call Saskatchewan. We share our stories through our art to amplify, inspire and educate about the diverse relationships and transactions we have to this land and each other.
• Omentum - Estevan Art Gallery & Museum

  Presented By: Estevan Art Gallery & Museum
  
  

  

  Omentum is a series of 10 paintings that touch on several of the major experiences faced by Indigenous people in this country within recent memory. These paintings, influenced by the works of both Norval Morrisseau and also Pablo Picasso, speak to some of the major struggles and triumphs that are part of our everyday life as Indigenous people, such as the Missing and Murdered Indigenous Women, Cultural Appropriation, the legacy of Residential Schools, the Rise and Honour of the Two-Spirited in the LGBTQ, the Return of Traditional Indigenous Tattooing, the Rise in Systemic Racism Online, and, of course, the Murder of Colten Boushie.
  John Brady McDonald is a Nehiyawak-Métis writer, artist, historian, musician, playwright, actor and activist born and raised in Prince Albert, Saskatchewan. He is from the Muskeg Lake Cree Nation and the Mistawasis Nehiyawak. The great-great-great grandson of Chief Mistawasis of the Plains Cree, as well as the grandson of famed Métis leader Jim Brady, John’s writings and artwork have been displayed in various publications, private and permanent collections and galleries around the world, including the Canadian War Museum in Ottawa.
• Phyllis Poitras-Jarrett: Spirit of Nature - Looking Beyond Yourself - Weyburn Art Gallery

  Presented By: Weyburn Arts Council
  
  

  

  The exhibition The Spirit of Nature - Looking Beyond Yourself features fifteen paintings of different animals and insects. Each creature’s silhouette is filled with intricate Métis floral beadwork patterning. Swirling around the forms of the fauna is a diaphanous grey fog, a representation of the spirit world. Phyllis says "Each animal painting is adorned with a unique, colourful, symmetrical Métis floral beadwork design... Each bead, flower and animal are a part of something greater. Within each painting, the grey background and white flowers represent the greater universe. Hidden in each painting is a glass spirit bead. This bead, in traditional Métis beadwork, was an off colour or misplaced bead. The spirit bead symbolizes humility and it reminds us, humans are not perfect. Therefore, we need to learn to be mindful that each day is an opportunity to make improvements in ourselves for the betterment of "All of Our Relations"."