Events from March 01, 2023

  • - Art Gallery of Outlook
    Presented By: Outlook & District Arts Council

    Edie Marshall is an established Saskatchewan landscape painter of sensitivity and skill. Over her career she has explored different ways to interpret landscape, movement, and the passage of time. It is immediately apparent in her paintings that Marshall is not a tourist on the prairies, but someone who has a long term, intimate relationship to this place. Her particular talent lies in her ability to evoke multi-sensory experiences for the viewer, allowing them to be fully immersed in the landscapes of our prairie home. -Madeleine Greenway
  • - Humboldt and District Gallery
    Presented By: Humboldt Area Arts Council

    Curated and organized by the Moose Jaw Museum & Art Gallery with funding assistance from the City of Moose Jaw, Saskatchewan Arts Board, SaskCulture, Saskatchewan Lotteries, and the Canada Council for the Arts. This exhibition is toured through OSAC’s Arts on the Move program.
    This exhibition features the paintings, sculptures and craft objects of folk artist, Frank Cicansky, in dialogue with the ceramics and sculptural work of his son, internationally renowned artist, Victor Cicansky. The presentation of these artists’ works together offers an opportunity to consider the shared values, creative drives and narratives of memory, place and origin that inform both of their artistic practices. Together these works reflect a sincere and compelling response to place, offering immigrant narratives of first and second generation settler Canadians in southern Saskatchewan, while also exploring the influential connections between our province’s folk art and funk art genres.
  • Presented By: Watrous Area Arts Council

    Micro and Macro of the Boreal Forest serves to juxtapose two very different yet integrally connected elements of the forest ecosystem, the microbiome found along the boulders inhabiting Canadian shield lakes and the bears and ungulates which that microbiome ultimately nourishes and sustains.
    Greg Allen paints the intricacies of the algae, lichen and moss which over time slowly come to cover the rocks and boulders found along the shoreline of boreal forest lakes while Jeff Meldrum sets up camera traps to capture bears, elk and deer interacting with his artistic interventions in the landscape.
    By showcasing the two works together, the artists hope to prompt viewers to consider the complexity of the ecology, systems both big and small, while fostering an appreciation for the aesthetics bound within the boreal forest.
  • Presented By: La Ronge Arts Council

    Borders can be physical, emotional, perceived and real. Borders define but a bridge provides a means to move from one place to another - whether physical or emotional - connecting to where you are.
    As an emerging newcomer artist to Canada experiencing the impact of borders of all types - connected to my past with a desire to reach out to my new surroundings – I sought to share a path forward for others experiencing this for the first time. Each has a story to tell, starting when we embark in life and shaped by everything we see and everyone we meet. We live in a changing world, exposed to new cultures and people - emotional bridging between continents and lands with many different cultures within them. With a cultures’ overlapping and building upon one another, mixing traditions and symbols, the goal of art has been to bring cultures together into one; one people, living and learning together, in one place, sharing stories and understanding each other along the way.
    'Creating Bridges: East and West' emerged as a series of paintings in 2014 through 2018 and features ten to fifteen pieces that reflect the bridging of cultures, done in mixed media on canvas with coins, metallic leaf and rich textural additions. The theme of the show was a way of sharing the story of diversity of peoples and cultures in our community as a result of immigration - crossing borders to a new place, a new community and new way of life.
  • Presented By: Melfort Arts Council

    ᑌᐸᑯᐦᑊ/Tepakohp/7 is a multi-artist exhibition which celebrates the stories and experiences of the many Nations of Indigenous Women living on this land we call Saskatchewan. We share our stories through our art to amplify, inspire and educate about the diverse relationships and transactions we have to this land and each other.
  • - Shellbrook Wapati Library
    Presented By: Shellbrook & District Arts Council

    Propagation explores the connections between plants, food, land, and people. Madeleine Greenway deftly combines drawing and printmaking to create lush portraits and still lives; each work treated with the same attention to detail manifesting as a character study for plants, family, and food. Madeleine states: "This series expresses gratitude to the matriarchal knowledge that has enabled me to provide for my family, as well as connect to plants, food, land, and people. While my inner dialogue is full of anxiety and sadness, the garden, the kitchen, and the studio give me reprieve from these thoughts. Most of the women in my family experience chronic mental or physical illness. But they were not joyless, or weak. Images of them in the garden show strong, happy, and proud women. This is the part of my family history I want to celebrate... The aim is this: to generate longing for a more intimate relationship with food, to invite the audience to the garden as a source of joy and respite, and to share a simple message of gratitude and the difference that care can make."
  • Presented By: Battlefords' Allied Arts Council

    When anyone moves to a new country there are challenges. This is especially true for women. My life is not the same in Canada as it was back home in India. I had to overcome many challenges, such as living in a very different environment and culture, being away from family and friends, and so on. In 2001, soon after I arrived in Toronto, I met another new Canadian who was struggling to raise her nine-year old daughter by herself. I empathized with her because I knew how difficult it was to raise children even when you have the support of a partner. I offered to take care of her daughter after school until she returned at night after working long hours at her job. I felt her pain as a single mother being far from her family and friends. I wanted to do what I could to help.
    This relationship inspired me. I wanted to capture the experiences of newcomer women on canvas. I started by contacting women through the Immigrant Women Centre in Regina. I went to their homes and with my camera, recorded their joys and problems. Most of the feelings I heard were of loneliness, emptiness, and sadness.
    The women I have painted are bright, and hardworking. They were going through rough times as they tried to settle into their new lives. Through my paintings, I want to show what it feels like to be alone, frustrated, sad, empty, confused, lost amidst strangers and new friends. The paintings help promote dialogue about being new to Canada. I want to offer a glimpse into the life of an immigrant woman during this challenging time. Some show despair; others are more hopeful; while some are more settled.
    Storytelling is not only the core of my work, but is also universally important. Human beings need to be seen and heard. Art is a vehicle through which I am empowering these women.
    - From the Artist Statement of Madhu Kumar
  • Presented By: Estevan Art Gallery & Museum

    The exhibition The Spirit of Nature - Looking Beyond Yourself features fifteen paintings of different animals and insects. Each creature’s silhouette is filled with intricate Métis floral beadwork patterning. Swirling around the forms of the fauna is a diaphanous grey fog, a representation of the spirit world. Phyllis says "Each animal painting is adorned with a unique, colourful, symmetrical Métis floral beadwork design... Each bead, flower and animal are a part of something greater. Within each painting, the grey background and white flowers represent the greater universe. Hidden in each painting is a glass spirit bead. This bead, in traditional Métis beadwork, was an off colour or misplaced bead. The spirit bead symbolizes humility and it reminds us, humans are not perfect. Therefore, we need to learn to be mindful that each day is an opportunity to make improvements in ourselves for the betterment of "All of Our Relations"."
  • - Station Arts Centre Cooperative
    Presented By: Station Arts Centre Cooperative

    The Flower People is a story about me, my family, my people and our connection and relationship to the land, ourselves, and each other. It is derived from the name ‘The Flower Beadwork People’ a name given to the Métis who are well known for their floral beadwork.
    Felted pieces, combined with the use of collected blankets create a canvas for my personal exploration of identity as a contemporary Indigenous Artist, alongside my Ukrainian heritage. My floral imagery invokes stories of people, place, and the land. Personal, cultural, and universal symbolism are woven into the fabric of my work with an emphasis on movement, colour, and narrative.
    The slow, process-orientated execution of felting becomes meditative and at times acts as healing and a prayer to my family and community. My most recent works are personal acts of Indigenous survivance & solidarity.
9 1193 03-1-2023